Vol 4 (2008-9)

Published: 30-12-2008

Articles

Populism and Folklorism in Central European Music Pedagogy of the Nineteenth and Early Twentieth Centuries

Rhoda Dullea

35-53
- PDF

Reviews

Steven Baur, Raymond Knapp and Jacqueline Warwick (eds), Musicological Identities: Essays in Honor of Susan McClary (2008)

Christopher Morris

55-65
- PDF
Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007)

Antonio Cascelli

67-73
- PDF
Matthew Gelbart, The Invention of ‘Folk Music’ and ‘Art Music’. Emerging Categories from Ossian to Wagner (2007)

Harry White

75-77
- PDF
Kevin C. Karnes, Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna (2008)

Nicole Grimes

79-83
- PDF
Barbara M. Reul and Lorraine Byrne Bodley (eds), The Unknown Schubert (2008)

Anne Margaret Hyland

85-95
- PDF
Robert Beale, Charles Hallé: A Musical Life (2007)

Fiona M. Palmer

97-100
- PDF
Robert O. Gjerdingen, Music in the Galant Style (2007)

Martin Adams

101-105
- PDF
Michael Murphy and Jan Smaczny (eds), Music in Nineteenth-Century Ireland (2007)

Christina Bashford

3-6
- PDF
Pieter Dirksen, Heinrich Scheidemann’s Keyboard Music: Transmission, Style and Chronology (2007)

Paul Collins

7-10
- PDF
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process: A New Theory of Tonality (2007)

Robert Wason

11-17
- PDF
Linda Cummins, Debussy and the Fragment (2006)

Daniel Shanahan

19-21
- PDF
Simon-Pierre Perret and Marie-Laure Ragot, Paul Dukas (2007)

Laura Watson

23-26
- PDF
Fabian Holt, Genre in Popular Music (2007)

Wolfgang Marx

27-34
- PDF