Inventing the Past, Reimagining the Future: Remembrance of Irish History in <i>Aisteach</i>

Authors

  • Timothy Diovanni Technological University Dublin

DOI:

https://doi.org/10.35561/JSMI15208

Keywords:

Jennifer Walshe, Aisteach, Memory Studies, Irish history, Contemporary Classical Music, Irish musical modernism, Archives, Heritage studies, Alternative history, Historical fiction, Diversity, Feminism, Queer studies, Counter-memory, Historical gaps, Irish identity, Irish culture, Irish avant-garde

Abstract

In January 2015, Jennifer Walshe, a contemporary Irish composer, in collaboration with a handful of Irish artists, musicians, and composers, published Aisteach, a fictional history of an Irish avant-garde. The contemporary artists invented an ‘archive’ of Irish avant-gardists, who allegedly lived in the nineteenth, twentieth, and twenty-first centuries, writing their histories and composing works attributed to them. The creators then built a website that includes articles on the imaginary artists, recordings of their works, and images of their art, among other resources. Aisteach continues to expand as more people contribute to it; the most recent exhibition, which occurred in Sligo, Ireland in September 2018, introduced more imaginary artists into Irish history.

Including many female and LGBTQ figures, Aisteach constructs a more diverse and inclusive history of Irish art and music that in turn casts a new light both on the real historical past and the present musical and political scenes. Through this invented tradition, the Aisteach creators also evoke alternative memories that fill in gaps in their nation’s compositional history, enable future generations of artists in Ireland, and work through their cultural inheritance to reshape and, in some cases, reaffirm conceptions of Irishness.

Author Biography

Timothy Diovanni, Technological University Dublin

Timothy Diovanni is the Classical Music Fellow at The Dallas Morning News. He is scheduled to complete an MPhil in musicology with a focus on Irish contemporary classical music at the Technological University Dublin in 2020. His master’s thesis examines remembrances of the Irish past in compositions by Donnacha Dennehy and Jennifer Walshe.

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Published

15-07-2020

How to Cite

Diovanni, T. (2020). Inventing the Past, Reimagining the Future: Remembrance of Irish History in <i>Aisteach</i>. Journal of the Society for Musicology in Ireland, 15, 75–102. https://doi.org/10.35561/JSMI15208

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Section

Articles