Journal of the Society for Musicology in Ireland https://jsmi.musicologyireland.ie/index.php/journal <p><em>The Journal of the Society of Musicology in Ireland</em> (founded 2005) is a peer–reviewed, open access journal embracing all subdisciplines of musicology in the broadest and most interdisciplinary terms. The JSMI welcomes submissions in English from both established scholars and doctoral students of any nationality.</p> <p>Subject areas include all genres of music (including classical music, electro-acoustic music, experimental music, all forms of popular music, sound art, Irish music, world musics and studies of new forms of creative practice) and approaches including (but not restricted to) ethnomusicological, historical, interdisciplinary, performance–based or theoretical. All articles that meet the submission requirements are peer reviewed by specialist international scholars. We will also consider articles previously published in another language that would benefit from dissemination in English translation.</p> Society for Musicology in Ireland en-US Journal of the Society for Musicology in Ireland 1649-7341 <p>Copyright for articles and reviews published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to be used, with proper attribution, in educational and other non-commercial settings.</p> <p>It is the responsibility of the author to secure (and, if necessary, pay for) written copyright permissions for the reproduction, in this online journal, of any illustrations, images, music notation, audio and video files, or any other copyright materials, that are included in the author's article.</p> Lorraine Byrne Bodley, Schubert: A Musical Wayfarer (New Haven and London: Yale University Press, 2023). ISBN 9780300204087, 736pp, $40 (hardback). https://jsmi.musicologyireland.ie/index.php/journal/article/view/254 <p>A review of Lorraine Byrne Bodley, <em>Schubert: A Musical Wayfarer</em> (New Haven and London: Yale University Press, 2023). ISBN 9780300204087, 736pp, $40 (hardback).</p> Joanne Cormac Copyright (c) 2024 Joanne Cormac 2024-05-22 2024-05-22 3 5 10.35561/JSMI20241 Brianna E. Robertson-Kirkland, Venanzio Rauzzini and the Birth of a New Style in English Singing: Scandalous Lessons (New York and Abingdon: Routledge, 2022). ISBN: 978-1-032-20029-3, 244pp, £39.99 (paperback). https://jsmi.musicologyireland.ie/index.php/journal/article/view/257 <p>A Review of Brianna E. Robertson-Kirkland, <em>Venanzio Rauzzini and the Birth of a New Style in English Singing: Scandalous Lessons</em> (New York and Abingdon: Routledge, 2022). ISBN: 978-1-032-20029-3, 244pp, £39.99 (paperback).</p> Rachel Talbot Copyright (c) 2024 Rachel Talbot 2024-07-26 2024-07-26 6 10 10.35561/JSMI20242 Steven Gamble, How Music Empowers: Listening to Modern Rap and Metal (Abingdon: Routledge, 2021). ISBN 9780367339555, 188 pp, £130 (hardback). https://jsmi.musicologyireland.ie/index.php/journal/article/view/259 <p>A Review of Steven Gamble, How Music Empowers: Listening to Modern Rap and Metal (Abingdon: Routledge, 2021). ISBN 9780367339555, 188 pp, £130 (hardback).</p> Adam Melvin Copyright (c) 2024 Adam Melvin 2024-08-21 2024-08-21 11 15 10.35561/JSMI20243 Stephen Rodgers, The Songs of Clara Schumann (Cambridge: Cambridge University Press, 2023), ISBN 978-1-108-83425-4, 193 pp, £85. https://jsmi.musicologyireland.ie/index.php/journal/article/view/262 <p>A Review of Stephen Rodgers, <em>The Songs of Clara Schumann</em> (Cambridge: Cambridge University Press, 2023), ISBN 978-1-108-83425-4, 193 pp, £85.</p> Nicole Grimes Copyright (c) 2024 Nicole Grimes 2024-12-11 2024-12-11 16 21 10.35561/JSMI20244